Stewart Copeland Net Worth 2023 | American musician Stewart Copeland
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This video is about Stewart Copeland Net Worth 2023
$80 Million as of May 2023
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Stewart Armstrong Copeland (born July 16, 1952) is an American musician and composer. He is best known for his work as the drummer of the English rock band the Police from 1977 to 1986, and again from 2007 to 2008. Before playing with the Police, he played drums with English rock band Curved Air from 1975 to 1976. As a composer, his work includes the films Wall Street (1987), Men At Work (1990), Good Burger (1997), and We Are Your Friends (2015); the television shows The Equalizer (1985–1989), The Amanda Show (1999–2002), and Dead Like Me (2003–2004); and video games such as the Spyro series (1998–present) and Alone in the Dark: The New Nightmare (2001). He has also written various pieces of ballet, opera, and orchestral music.
According to MusicRadar, Copeland's "distinctive drum sound and uniqueness of style has made him one of the most popular drummers to ever get behind a drumset". He was ranked the 10th best drummer of all time by Rolling Stone in 2016. He was inducted into the Rock and Roll Hall of Fame as a member of the Police in 2003, the Modern Drummer Hall of Fame in 2005, and the Classic Drummer Hall of Fame in 2013.
Returning to England, Copeland worked as road manager for the progressive rock band Curved Air's 1974 reunion tour, and then as drummer for the band during 1975 and 1976. The band kicked off with a European tour, which started poorly. Band leader Darryl Way, a notorious perfectionist, grew impatient with the struggling of his bandmates, especially novice drummer Copeland. Then, for reasons no one could pinpoint, the musicians suddenly "clicked" with each other and the band caught fire, quickly becoming a popular and acclaimed live act.
In early 1977, Copeland founded the Police with lead singer-bass guitarist Sting and guitarist Henry Padovani (who was soon replaced by Andy Summers), and they became one of the top bands of the late 1970s and early 1980s. Copeland was the youngest member of the band. The Police's early track list (before their album debut) was largely Copeland compositions, including the band's first single "Fall Out" (Illegal Records, 1977) and the B-side "Nothing Achieving". Though Copeland's songwriting contribution was reduced to a couple of songs per album as Sting started writing more material, he continued to co-arrange all the Police's songs together with his two bandmates. Amongst Copeland's most notable songs are "On Any Other Day" (where he also sang lead vocals), "Does Everyone Stare" (later to be used as the title of his documentary on the band Everyone Stares: The Police Inside Out), "Contact", "Bombs Away", "Darkness" and "Miss Gradenko". Copeland also co-wrote a number of songs with Sting, including "Peanuts", "Landlord", "It's Alright for You" and "Re-Humanize Yourself".
After the Police disbanded, Copeland established a career composing soundtracks for movies (Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II: The Quickening, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Riding the Bus with My Sister, Good Burger), television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee), operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (Prey' Ballet Oklahoma, Casque of Amontillado, Noah's Ark/Solcheeka, commissioned by the Seattle Symphony Orchestra, King Lear, commissioned by the San Francisco Ballet Company, Emilio). In 1996, Copeland provided the score for The Leopard Son, Discovery Channel's its first commercially released full-length feature film, made by wildlife filmmaker Hugo van Lawick.
He was commissioned by Insomniac Games in 1998 to make the musical score for the hit PlayStation game Spyro the Dragon. Copeland would play through the levels first to get a feel for each one before composing the soundtrack.